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    <title>Arthouse Films</title>
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    <id>tag:www.arthousefilmsonline.com,2007-09-22://1</id>
    <updated>2010-08-27T19:18:13Z</updated>
    
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<entry>
    <title>Waste Land</title>
    <link rel="alternate" type="text/html" href="http://www.arthousefilmsonline.com/2010/04/waste-land.html" />
    <id>tag:www.arthousefilmsonline.com,2010://1.119</id>

    <published>2010-04-01T20:27:39Z</published>
    <updated>2010-08-27T19:18:13Z</updated>

    <summary>Filmed over nearly three years, WASTE LAND follows renowned artist Vik Muniz as he journeys from his home base in Brooklyn to his native Brazil and the world&apos;s largest garbage dump, Jardim Gramacho, located on the outskirts of Rio de...</summary>
    <author>
        <name>david</name>
        <uri>www.arthousefilmsonline.com</uri>
    </author>
    
        <category term="Arthouse Films" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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        <![CDATA[Filmed over nearly three years, WASTE LAND follows renowned artist Vik Muniz as he journeys from his home base in Brooklyn to his native Brazil and the world's largest garbage dump, Jardim Gramacho, located on the outskirts of Rio de Janeiro. There he photographs an eclectic band of "catadores" -- or self-designated pickers of recyclable materials.  Muniz's initial objective was to "paint" the catadores with garbage.  However, his collaboration with these inspiring characters as they recreate photographic images of themselves out of garbage reveals both the dignity and despair of the catadores as they begin to re-imagine their lives.  Walker (DEVIL'S PLAYGROUND, BLINDSIGHT) has great access to the entire process and, in the end, offers stirring evidence of the transformative power of art and the alchemy of the human spirit.<br /><br />WINNER Audience Award for Best World Cinema Documentary, Sundance Film Festival 2010<div><br />WINNER Audience Award for Best Film, Panorama, Berlin Film Festival 2010</div><div><br />WINNER Audience Award, Full Frame Documentary Film Festival 2010<br /></div><div><br /></div><div>WINNER Target Documentary Filmmaker Award, Dallas Film Festival 2010</div><div><br /></div><div>WINNER Golden Space Needle Award, Seattle International Film Festival 2010</div><div><br /></div><div>WINNER Audience Award, Provincetown Film Festival 2010</div><div><div><br /></div><div>WINNER, Amnesty International Film Award, Berlin Film Festival 2010</div><div><br /></div><div>WINNER, Audience Award, Maui Film Festival 2010</div><div><br /></div><div>WINNER, Audience Award, Paulinia Film Festival 2010</div><div><br /></div><div>WINNER, Best Documentary, Durban Int'l Film Festival 2010</div><div><br /></div><div>WINNER, Audience Award, Durban Int'l Film Festival 2010</div><div><br /></div><div>WINNER, Amnesty International Durban Human Rights Award, Durban Int'l Film Festival 2010</div></div><div><font class="Apple-style-span" color="#000000" face="Arial, Helvetica, clean, HiraKakuPro-W3, Osaka, sans-serif" size="4"><span class="Apple-style-span" style="font-size: 14px; white-space: pre-wrap; "><br /></span></font></div>]]>
        
    </content>
</entry>

<entry>
    <title>Jean-Michel Basquiat: The Radiant Child</title>
    <link rel="alternate" type="text/html" href="http://www.arthousefilmsonline.com/2009/12/a-conversation-with-jeanmichel.html" />
    <id>tag:www.arthousefilmsonline.com,2009://1.28</id>

    <published>2009-12-21T05:00:02Z</published>
    <updated>2010-04-14T22:05:03Z</updated>

    <summary> In his short career, Jean-Michel Basquiat was a phenomenon. He became notorious for his graffiti art under the moniker Samo in the late 1970s on the Lower East Side scene, sold his first painting to Deborah Harry for $200,...</summary>
    <author>
        <name>zachary</name>
        
    </author>
    
        <category term="Arthouse Films" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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        <![CDATA[<!--StartFragment-->

<p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;"><span style="font-family: Arial;">In his short career, Jean-Michel
Basquiat was a phenomenon. He became notorious for his graffiti art under the
moniker Samo in the late 1970s on the Lower East Side scene, sold his first
painting to Deborah Harry for $200, and became best friends with Andy Warhol.
Appreciated by both the art cognoscenti and the public, Basquiat was launched
into international stardom. However, soon his cult status began to override the
art that had made him famous in the first place.<o:p></o:p></span></p>

<p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;"><span style="font-family: Arial;"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;"><span style="font-family: Arial;">Director
Tamra Davis pays homage to her friend in this definitive documentary but also
delves into Basquiat as an iconoclast. His dense, bebop-influenced
neoexpressionist work emerged while minimalist, conceptual art was the fad; as
a successful black artist, he was constantly confronted by racism and
misconceptions. Much can be gleaned from insider interviews and archival
footage, but it is Basquiat's own words and work that powerfully convey the
mystique and allure of both the artist and the man.<o:p></o:p></span></p>

<p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;"><span style="font-family: Arial;"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;"><span style="font-family: Arial;">Featuring
interviews with Julian Schnabel, </span><span style="font-family: Arial; color: black;">Larry Gagosian, Bruno Bischofberger,
Tony Shafrazi, Fab 5 Freddy, Jeffrey Deitch, Glenn O'Brien, Maripol, Kai Eric,
Nicholas Taylor, Fred Hoffmann, Michael Holman, Diego Cortez, Annina Nosei, Suzanne
Mallouk, Rene Ricard, among many others.<o:p></o:p></span></p>

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</entry>

<entry>
    <title>Herb &amp; Dorothy</title>
    <link rel="alternate" type="text/html" href="http://www.arthousefilmsonline.com/2009/07/herb-dorothy.html" />
    <id>tag:www.arthousefilmsonline.com,2009://1.95</id>

    <published>2009-07-23T19:46:04Z</published>
    <updated>2010-04-20T21:00:21Z</updated>

    <summary><![CDATA[HERB &amp; DOROTHY tells the extraordinary story of Herbert Vogel, a postal clerk, and Dorothy Vogel, a librarian, who managed to build one of the most important contemporary art collections in history with very modest means. In the early 1960s,...]]></summary>
    <author>
        <name>erin</name>
        
    </author>
    
        <category term="Arthouse Films" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="christo" label="Christo" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="chuckclose" label="Chuck Close" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="dorothyvogel" label="Dorothy Vogel" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="herbvogel" label="Herb Vogel" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="herbertvogel" label="Herbert Vogel" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="jeanneclaude" label="Jeanne-Claude" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="lawrenceweiner" label="Lawrence Weiner" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="luciopozzi" label="Lucio Pozzi" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="lyndabenglis" label="Lynda Benglis" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="megumisasaki" label="Megumi Sasaki" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="patsteir" label="Pat Steir" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="richardtuttle" label="Richard Tuttle" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="robertbarry" label="Robert Barry" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="robertmangold" label="Robert Mangold" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="sollewitt" label="Sol LeWitt" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="sylviamangold" label="Sylvia Mangold" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="vogel5050" label="Vogel 50/50" scheme="http://www.sixapart.com/ns/types#tag" />
    
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        <![CDATA[HERB &amp; DOROTHY tells the extraordinary story of Herbert Vogel, a postal clerk, and Dorothy Vogel, a librarian, who managed to build one of the most important contemporary art collections in history with very modest means. In the early 1960s, when very little attention was paid to Minimalist and Conceptual Art, Herb and Dorothy Vogel quietly began purchasing the works of unknown artists. Devoting all of Herb's salary to purchase art they liked, and living on Dorothy's paycheck alone, they continued collecting artworks guided by two rules: the piece had to be affordable, and it had to be small enough to fit in their one-bedroom Manhattan apartment. Within these limitations, they proved themselves curatorial visionaries; most of those they supported and befriended went on to become world-renowned artists. Their circle includes: Sol LeWitt, Christo and Jeanne-Claude, Richard Tuttle, Chuck Close, Robert Mangold, Sylvia Plimack Mangold, Lynda Benglis, Pat Steir, Robert Barry, Lucio Pozzi, and Lawrence Weiner. HERB &amp; DOROTHY is directed by Megumi Sasaki.<div><br /></div><div>Museum Show "Buyers Choice Awards" 2010 - Best of Books &amp; Multimedia<br /><div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Arial, Helvetica, clean, HiraKakuPro-W3, Osaka, sans-serif; font-size: 14px; white-space: pre-wrap; "><br /></span></div><div>"10 Films You Should Have Seen in 2009" -- The Daily Beast</div><div><br /></div><div>WINNER "Audience Award" 2008 Hamptons Film Festival<br /><br />WINNER&nbsp; "Golden Starfish Award" 2008 Hamptons Film Festival<br /><br />WINNER "Audience Award" 2008 SilverDocs Film Festival <br /><br />WINNER "Audience Award" Philadelphia Cinefest 2009<br /><br /><br /></div></div></div>]]>
        
    </content>
</entry>

<entry>
    <title>Visual Acoustics</title>
    <link rel="alternate" type="text/html" href="http://www.arthousefilmsonline.com/2009/07/visual-acoustics.html" />
    <id>tag:www.arthousefilmsonline.com,2009://1.109</id>

    <published>2009-07-22T19:17:33Z</published>
    <updated>2010-01-01T20:56:30Z</updated>

    <summary> Narrated by Dustin Hoffman, VISUAL ACOUSTICS celebrates the life and career of Julius Shulman, the world&apos;s greatest architectural photographer, whose images brought modern architecture to the American mainstream. Shulman, who passed away this year, captured the work of nearly...</summary>
    <author>
        <name>Stacy</name>
        
    </author>
    
        <category term="Arthouse Films" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="architecture" label="architecture" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="benedikttaschen" label="Benedikt Taschen" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="dantespinotti" label="Dante Spinotti" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="edruscha" label="Ed Ruscha" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="frankgehry" label="Frank Gehry" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="juliusshulman" label="Julius Shulman" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="kellylynch" label="Kelly Lynch" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="losangeles" label="Los Angeles" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mitchglazer" label="Mitch Glazer" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="modernism" label="modernism" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="tomford" label="Tom Ford" scheme="http://www.sixapart.com/ns/types#tag" />
    
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        <![CDATA[<!--StartFragment-->

<p class="MsoNormal" style="text-align:justify"><font class="Apple-style-span" color="#000000" size="3"><span class="Apple-style-span" style="font-size: 11px;">
<!--StartFragment--><font size="2"><font><span style="font-size:10pt"><font class="Apple-style-span" style="font-size: 0.8em; ">Narrated by Dustin Hoffman, VISUAL ACOUSTICS celebrates the life and career of Julius Shulman, the world's greatest architectural photographer, whose images brought modern architecture to the American mainstream. Shulman, who passed away this year, captured the work of nearly every major modern and progressive architect since the 1930s including Frank Lloyd Wright, Richard Neutra, John Lautner, and Frank Gehry.</font></span></font><span style="font-size:10pt"><font><font class="Apple-style-span" style="font-size: 0.8em; "> </font></font><font><font class="Apple-style-span" style="font-size: 0.8em; ">His images epitomized the singular beauty of Southern California's modernist movement and brought its iconic structures to the attention of the general public. This unique film is both a testament to the evolution of modern architecture and a joyful portrait of the magnetic, whip-smart gentleman who chronicled it with his unforgettable images.&nbsp;</font></font></span></font>
<!--EndFragment-->

</span></font></p>

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    </content>
</entry>

<entry>
    <title>William Kunstler:</title>
    <link rel="alternate" type="text/html" href="http://www.arthousefilmsonline.com/2009/07/william-kunstler-disturbing-th.html" />
    <id>tag:www.arthousefilmsonline.com,2009://1.108</id>

    <published>2009-07-22T00:31:53Z</published>
    <updated>2010-01-01T20:57:12Z</updated>

    <summary> In WILLIAM KUNSTLER: DISTURBING THE UNIVERSE, filmmakers Emily Kunstler and Sarah Kunstler explore the life of their father, the late radical civil rights lawyer. In the 1960s and 70s, William Kunstler fought for civil rights with Martin Luther King...</summary>
    <author>
        <name>Stacy</name>
        
    </author>
    
        <category term="Arthouse Films" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="aclu" label="ACLU" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="civilrights" label="civil rights" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="emilykunstler" label="emily kunstler" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="law" label="law" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="lenweinglass" label="len weinglass" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="sarahkunstler" label="sarah kunstler" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="williamkunstler" label="william kunstler" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.arthousefilmsonline.com/">
        <![CDATA[<!--StartFragment-->

<p class="MsoNormal"><span style="font-size: 10pt; "><font class="Apple-style-span" style="font-size: 0.8em; ">In WILLIAM KUNSTLER: DISTURBING THE
UNIVERSE, filmmakers Emily Kunstler and Sarah Kunstler explore the life of
their father, the late radical civil rights lawyer. In the 1960s and 70s,
William Kunstler fought for civil rights with Martin Luther King Jr. and
represented the famed "Chicago 8" activists who protested the Vietnam War. When
the inmates took over Attica prison, or when the American Indian Movement stood
up to the federal government at Wounded Knee, they asked Kunstler to be their
lawyer. <br /><br /><!--StartFragment-->

</font></span></p><font class="Apple-style-span" style="font-size: 0.8em; "><p class="MsoNormal"><span style="font-size: 11pt; "><font class="Apple-style-span" style="font-size: 0.8em; "><font class="Apple-style-span" style="font-size: 0.8em; "><font class="Apple-style-span" style="font-size: 1.25em; ">To his daughters, it seemed that he was at the center of
everything important that had ever happened. But when they were growing up,
Kunstler represented some of the most reviled members of society, including
rapists and assassins. This powerful film not only recounts the historic causes
that Kunstler fought for; it also reveals a man that even his own daughters did
not always understand, a man who risked public outrage and the safety of his
family so that justice could serve all.</font></font></font></span><b style="mso-bidi-font-weight:
normal"><span style="font-size:11.0pt;mso-bidi-font-size:10.0pt;font-family:
Arial;mso-fareast-font-family:&quot;Times New Roman&quot;"><o:p></o:p></span></b></p>

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</font><o:p></o:p><p></p>

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    </content>
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<entry>
    <title>Beautiful Losers</title>
    <link rel="alternate" type="text/html" href="http://www.arthousefilmsonline.com/2009/06/beautiful-losers.html" />
    <id>tag:www.arthousefilmsonline.com,2008://1.93</id>

    <published>2009-06-22T22:04:53Z</published>
    <updated>2010-01-01T20:55:41Z</updated>

    <summary>BEAUTIFUL LOSERS celebrates the spirit behind one of the most influential cultural moments of a generation. In the early 1990s a loose-knit group of like-minded outsiders found common ground at a little NYC storefront gallery. Rooted in the DIY (do-it-yourself)...</summary>
    <author>
        <name>erin</name>
        
    </author>
    
        <category term="Arthouse Films" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="beautifullosers" label="Beautiful Losers" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.arthousefilmsonline.com/">
        <![CDATA[<p style="margin: 0px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 12px; line-height: normal; font-size-adjust: none; font-stretch: normal;"><a href="http://www.beautifullosers.com/">BEAUTIFUL LOSERS</a> celebrates the spirit behind one of the most influential cultural moments of a generation. In the early 1990s a loose-knit group of like-minded outsiders found common ground at a little NYC storefront gallery. Rooted in the DIY (do-it-yourself) subcultures of skateboarding, surf, punk, hip hop &amp; graffiti, they made art that reflected the lifestyles they led. Developing their craft with almost no influence from the "establishment" art world, this group and the subcultures they sprang from have now become a movement that has been transforming pop culture.</p><p style="margin: 0px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 12px; line-height: normal; font-size-adjust: none; font-stretch: normal;"><br /></p><p style="margin: 0px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 12px; line-height: normal; font-size-adjust: none; font-stretch: normal;">Starring a selection of artists who are considered leaders within this culture, Beautiful Losers focuses on the telling of personal stories. It speaks to themes of what happens when the outside becomes "in" as it explores the creative ethos connecting these artists and today's youth.</p> ]]>
        
    </content>
</entry>

<entry>
    <title>Milton Glaser: </title>
    <link rel="alternate" type="text/html" href="http://www.arthousefilmsonline.com/2009/03/milton-glaser-to-inform-deligh.html" />
    <id>tag:www.arthousefilmsonline.com,2009://1.92</id>

    <published>2009-03-22T21:34:20Z</published>
    <updated>2010-08-04T19:52:36Z</updated>

    <summary><![CDATA[For many, Milton Glaser is the personification of American graphic design.&nbsp; Best known for co-founding New York Magazine and the enduring I ♥ NY campaign, the full breadth of Glaser's remarkable artistic output is revealed in this documentary portrait, MILTON...]]></summary>
    <author>
        <name>erin</name>
        
    </author>
    
        <category term="Arthouse Films" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="miltonglaser" label="Milton Glaser" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="wendykeys" label="Wendy Keys" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.arthousefilmsonline.com/">
        <![CDATA[<p style="margin: 0px 0px 16px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10px; line-height: normal; font-size-adjust: none; font-stretch: normal;"><font style="font-size: 1.25em;">For many, <a href="http://miltonglaser.com/">Milton Glaser</a> is the personification of American graphic design.&nbsp; Best known for co-founding <a href="http://nymag.com/">New York Magazine</a> and the enduring I ♥ NY campaign, the full breadth of Glaser's remarkable artistic output is revealed in this documentary portrait, MILTON GLASER: TO INFORM AND DELIGHT.&nbsp; From newspapers and magazine designs, to interior spaces, logos, and brand identities, to his celebrated prints, drawings, posters and paintings, the documentary offers audiences a much richer appreciation for one of the great modern renaissance men.</font></p><p style="margin: 0px 0px 16px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10px; line-height: normal; font-size-adjust: none; font-stretch: normal;"><font style="font-size: 1.25em;">Artfully directed by first time filmmaker Wendy Keys, the film glances into everyday moments of Glaser's personal life and capture his immense warmth, humanity and the boundless depth of his intelligence and creativity.</font></p><div><font style="font-size: 1.25em;"><span class="Apple-style-span" style="font-size: 10px;"><br /></span></font></div> ]]>
        
    </content>
</entry>

<entry>
    <title>Rem Koolhaas:</title>
    <link rel="alternate" type="text/html" href="http://www.arthousefilmsonline.com/2009/03/rem-koolhaas-a-kind-of-archite.html" />
    <id>tag:www.arthousefilmsonline.com,2008://1.94</id>

    <published>2009-03-18T21:03:04Z</published>
    <updated>2010-08-04T19:50:47Z</updated>

    <summary><![CDATA[Rarely has an architect caused as much sensation outside of the architecture community as Rem Koolhaas.&nbsp; His outstanding creations such as the Dutch Embassy in Berlin, the Seattle Library, the Casa da Musica concert hall in Porto, and the Guggenheim...]]></summary>
    <author>
        <name>erin</name>
        
    </author>
    
        <category term="Arthouse Films" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="architect" label="Architect" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="architecture" label="Architecture" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="remkoolhaas" label="Rem Koolhaas" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.arthousefilmsonline.com/">
        <![CDATA[<p style="margin: 0px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 13px; line-height: normal; font-size-adjust: none; font-stretch: normal;">Rarely has an architect caused as much sensation outside of the architecture community as Rem Koolhaas.&nbsp; His outstanding creations such as the Dutch Embassy in Berlin, the Seattle Library, the Casa da Musica concert hall in Porto, and the Guggenheim Heritage Museum in Las Vegas are working examples of the Dutchman's visionary theories about architecture and urban society.</p>
<p style="margin: 0px; font-family: Tahoma; font-style: normal; font-variant: normal; font-weight: normal; font-size: 13px; line-height: normal; font-size-adjust: none; font-stretch: normal; color: rgb(129, 129, 129); min-height: 16px;"><br /></p>
<p style="margin: 0px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 13px; line-height: normal; font-size-adjust: none; font-stretch: normal;">Koolhaas' work is as much about ideas as it is about constructing buildings; he is equally celebrated as a writer and social commentator, his 1978 publication <i>Delirious New York: A Retroactive Manifesto for Manhattan</i> is heralded as seminal text on modern society.&nbsp; For Koolhaas what is essential is not to create individual masterpieces, but to provoke and excite through the wide range of his activities.</p>
<p style="margin: 0px; font-family: Tahoma; font-style: normal; font-variant: normal; font-weight: normal; font-size: 13px; line-height: normal; font-size-adjust: none; font-stretch: normal; color: rgb(129, 129, 129); min-height: 16px;"><br /></p>
<p style="margin: 0px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 13px; line-height: normal; font-size-adjust: none; font-stretch: normal;">REM KOOLHAAS - A KIND OF ARCHITECT is an engaging portrait of a visionary man, which takes us to the heart of his ideas.&nbsp; The filmmakers have made a visually inventive thought provoking portrait of the architect, prompting Rem Koolhaas to state "<i>it's the only film about me that I have liked</i>."</p> ]]>
        
    </content>
</entry>

<entry>
    <title>Louise Bourgeois:</title>
    <link rel="alternate" type="text/html" href="http://www.arthousefilmsonline.com/2009/03/louise-bourgeois.html" />
    <id>tag:www.arthousefilmsonline.com,2008://1.105</id>

    <published>2009-03-17T21:45:51Z</published>
    <updated>2010-01-01T20:58:36Z</updated>

    <summary>Louise Bourgeois: The Spider, The Mistress and The Tangerine is a film journey inside the life and imagination of an icon of modern art. As a screen presence, Louise Bourgeois is magnetic, mercurial and emotionally raw. She is &quot;the real...</summary>
    <author>
        <name>erin</name>
        
    </author>
    
        <category term="Arthouse Films" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="art" label="Art" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="louisebourgeois" label="Louise Bourgeois" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="museumofmodernart" label="Museum of Modern Art" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.arthousefilmsonline.com/">
        Louise Bourgeois: The Spider, The Mistress and The Tangerine is a film journey inside the life and imagination of an icon of modern art. As a screen presence, Louise Bourgeois is magnetic, mercurial and emotionally raw. She is &quot;the real McCoy,&quot; as Jerry Gorovoy, her assistant of 30 years, puts it. There is no separation between her life as an artist and the memories and emotions that affect her every day. As an artist she has for six decades been at the forefront of successive new developments, but always on her own powerfully inventive and disquieting terms. At the age of 71, in 1982, she became the first woman to be honored with a major retrospective at New York&apos;s Museum of Modern Art. In the decades since, she has created her most powerful and persuasive work. As director/producer Amei Wallach notes: &quot;We filmed intense, and sometimes hilarious, encounters with Louise and her work in both her Brooklyn studio and Manhattan home starting in 1993.  We videotaped conversations where she trusted us with the childhood sources of her pain and invited us into the ritualistic process by which her memories become embodied in objects and installations. We filmed her friends and her work here and abroad through the autumn of 2007.&quot; This film is a drama of creativity and revelation. It is an intimate, human engagement with an artist&apos;s world. It builds to a searing climactic scene, then rebounds in joy and reconciliation. 
        
    </content>
</entry>

<entry>
    <title>Picasso And Braque Go To The Movies</title>
    <link rel="alternate" type="text/html" href="http://www.arthousefilmsonline.com/2009/02/picasso-braque.html" />
    <id>tag:www.arthousefilmsonline.com,2009://1.115</id>

    <published>2009-02-23T21:52:19Z</published>
    <updated>2010-04-26T23:32:29Z</updated>

    <summary> Produced by Martin Scorsese and Robert Greenhut and directed by Arne Glimcher, PICASSO AND BRAQUE GO TO THE MOVIES is a cinematic tour through the effects of the technological revolution, specifically the invention of aviation, the creation of cinema...</summary>
    <author>
        <name>david</name>
        <uri>www.arthousefilmsonline.com</uri>
    </author>
    
        <category term="Arthouse Films" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="arneglimcher" label="Arne Glimcher" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="braque" label="Braque" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="cubism" label="Cubism" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="film" label="Film" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="martinscorsese" label="Martin Scorsese" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="picasso" label="Picasso" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.arthousefilmsonline.com/">
        <![CDATA[<!--StartFragment-->

<p class="MsoNormal" style="text-align: left;"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 15px;"><font class="Apple-style-span" style="font-size: 0.8em; "><font class="Apple-style-span" style="font-size: 0.8em; ">Produced by Martin Scorsese and Robert Greenhut and directed by Arne Glimcher, PICASSO AND BRAQUE GO TO THE MOVIES is a cinematic tour through the effects of the technological revolution, specifically the invention of aviation, the creation of cinema and their interdependent influence on artists Pablo Picasso and Georges Braque. &nbsp;With narration by Scorsese, and interviews with art scholars and artists including Chuck Close, Julian Schnabel and Eric Fischl, the film looks at the collision between film and art at the turn of the 20th Century and helps us to realize cinema's continuing influence on the art of our time</font></font><font class="Apple-style-span" style="font-size: 0.8em; ">. &nbsp; &nbsp;&nbsp;</font></span></font></p> ]]>
        
    </content>
</entry>

<entry>
    <title>Painters Painting</title>
    <link rel="alternate" type="text/html" href="http://www.arthousefilmsonline.com/2009/01/painters-painting-new-york-sch.html" />
    <id>tag:www.arthousefilmsonline.com,2009://1.27</id>

    <published>2009-01-19T02:45:24Z</published>
    <updated>2010-08-04T19:54:03Z</updated>

    <summary>The definitive documentary on the New York School Painters.</summary>
    <author>
        <name>zachary</name>
        
    </author>
    
        <category term="Arthouse Films" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="andkennethnoland" label="and Kenneth Noland" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="andywarhol" label="Andy Warhol" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="art" label="Art" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="barnettnewman" label="Barnett Newman" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="frankstella" label="Frank Stella" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="hanshoffman" label="Hans Hoffman" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="helenfrankenthaler" label="Helen Frankenthaler" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="jasperjohns" label="Jasper Johns" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="julesolitski" label="Jules Olitski" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="larrypoons" label="Larry Poons" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="painting" label="Painting" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="philippavia" label="Philip Pavia" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="robertmotherwell" label="Robert Motherwell" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="robertrauschenberg" label="Robert Rauschenberg" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="williamdekooning" label="William de Kooning" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.arthousefilmsonline.com/">
        <![CDATA[<!--StartFragment-->

<p class="MsoNormal"><span style="font-family: Arial;">Originally released in 1973 but never before
available on DVD, PAINTERS PAINTING is the definitive documentary on the New
York School of painters, from 1940-1970. Director Emile de Antonio <i style="">(</i></span><i style=""><span style="font-family: Arial;">Point of Order </span></i><span style="font-family: Arial;">and<i style=""> Millhouse</i></span><span style="font-family: Arial;">) interviews artists in their studios
about their art</span><span style="font-family: Arial;">
from the period of Abstract Expressionism, through Hard Edge and Color Field
painting to Pop Art</span><span style="font-family: Arial;">. </span><span style="font-family: Arial;">Among the featured painters are Robert
Rauschenberg, William de Kooning, Jasper Johns, Andy Warhol, Helen
Frankenthaler, Frank Stella, Barnett Newman, Hans Hoffman, Jules Olitski,
Philip Pavia, Larry Poons, Robert Motherwell, and Kenneth Noland. <o:p></o:p></span></p>

<p class="MsoNormal"><span style="font-family: Arial;">PAINTERS PAINTING is newly digitally remastered
and restored by the Museum of Modern Art (New York) and the University of
Wisconsin Film Department.<o:p></o:p></span></p>

<!--EndFragment-->


 ]]>
        
    </content>
</entry>

<entry>
    <title>The Cats of Mirikitani</title>
    <link rel="alternate" type="text/html" href="http://www.arthousefilmsonline.com/2009/01/the-cats-of-mirikitani.html" />
    <id>tag:www.arthousefilmsonline.com,2009://1.29</id>

    <published>2009-01-16T05:00:05Z</published>
    <updated>2010-02-22T23:37:37Z</updated>

    <summary>Eighty-year old Jimmy Mirikitani survived the trauma of WWII internment camps, Hiroshima, and homelessness by creating art. But when 9/11 threatens his life on the New York City streets and a local filmmaker brings him to her home, the two...</summary>
    <author>
        <name>zachary</name>
        
    </author>
    
        <category term="Arthouse Films" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="catsmirikitani" label="Cats Mirikitani" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="lindahattendorf" label="Linda Hattendorf" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.arthousefilmsonline.com/">
        <![CDATA[Eighty-year old Jimmy Mirikitani survived the trauma of WWII internment camps, Hiroshima, and homelessness by creating art. But when 9/11 threatens his life on the New York City streets and a local filmmaker brings him to her home, the two embark on a journey to confront Jimmy's painful past. An intimate exploration of the lingering wounds of war and the healing powers of friendship and art, this documentary won the Audience Award at its premiere in the 2006 Tribeca Film Festival.<br /><br />Produced by lucid dreaming inc. in association with The Independent Television Service (ITVS) and The Center for Asian American Media (CAAM) with funding provided by The Corporation for Public Broadcasting. Additional funding provided by The Japan Foundation, The New York State Council on the Arts, and private donors.<br /><br />"THE CATS OF MIRIKITANI is, quite simply, breathtaking -- one of the most surprising and unshakable documentaries I can recall." -- New York Sun<br /> ]]>
        
    </content>
</entry>

<entry>
    <title>The Universe of Keith Haring</title>
    <link rel="alternate" type="text/html" href="http://www.arthousefilmsonline.com/2008/11/the-universe-of-keith-haring-2.html" />
    <id>tag:www.arthousefilmsonline.com,2008://1.78</id>

    <published>2008-11-21T06:11:56Z</published>
    <updated>2010-01-01T21:03:15Z</updated>

    <summary>THE UNIVERSE OF KEITH HARING by director Christina Clausen is an intimate portrait of world-renowned artist Keith Haring whose mantra was that &quot;Art is for everyone!&quot; The film is a thorough and intimate exploration of the background and career of...</summary>
    <author>
        <name>david</name>
        <uri>www.arthousefilmsonline.com</uri>
    </author>
    
        <category term="Arthouse Films" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="art" label="Art" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="graffiti" label="Graffiti" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="keithharing" label="Keith Haring" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.arthousefilmsonline.com/">
        <![CDATA[THE UNIVERSE OF KEITH HARING by director Christina Clausen is an intimate portrait of world-renowned artist Keith Haring whose mantra was that "Art is for everyone!" The film is a thorough and intimate exploration of the background and career of one of the most popular and significant artists of the 20th century. The film features interviews and archival footage of Fab 5 Freddy, Jeffrey Deitch, Kim Hastreiter, Grace Jones, Madonna, Yoko Ono, David LaChapelle, Kenny Scharf, Carlo McCormick, Andy Warhol, Ann Magnuson, Tony Shafrazi, and Junior Vasquez, among many others. Audio excerpts from original interviews with Keith Haring, were conducted by Haring's biographer John Gruen (Keith Haring: the Authorized Biography). The film's theme song is by the famed DJ and record producer, Junior Vasquez, with an original soundtrack by Angelo Talocci. The film was edited by Silvia Giulietti.<br /><br />An Overcom (Italy), French Connection Films (France), Absolute Films (Associate Producer / Italy), and the Estate of Keith Haring Co-Production. Italy/France. Gianni Mercurio served as Consultant.<br /><br />Photos and Images courtesy of The Estate of Keith Haring.<br /><br />]]>
        
    </content>
</entry>

<entry>
    <title>Chuck Close</title>
    <link rel="alternate" type="text/html" href="http://www.arthousefilmsonline.com/2008/11/chuck-close-2.html" />
    <id>tag:www.arthousefilmsonline.com,2008://1.104</id>

    <published>2008-11-19T20:39:28Z</published>
    <updated>2008-12-29T21:39:00Z</updated>

    <summary>CHUCK CLOSE, an astounding portrait of one of the world&apos;s leading contemporary painters, was one of two parting gifts (her second is a film on Louise Bourgeois) from Marion Cajori, a filmmaker who died recently, and before her time. With...</summary>
    <author>
        <name>erin</name>
        
    </author>
    
        <category term="Arthouse Films" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="chuckclose" label="Chuck Close" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.arthousefilmsonline.com/">
        CHUCK CLOSE, an astounding portrait of one of the world&apos;s leading contemporary painters, was one of two parting gifts (her second is a film on Louise Bourgeois) from Marion Cajori, a filmmaker who died recently, and before her time. With editing completed by filmmaker Ken Kobland, CHUCK CLOSE limns the life and work of a man who has reinvented portraiture. Close photographs his subjects, blows up the image to gigantic proportions, divides it into a detailed grid and then uses a complex set of colors and patterning to reconstruct each face. The genius of this film is not only to allow the artist to illuminate his methodology (he is wonderfully articulate), but also to feature his friends and colleagues (Brice Marden, Robert Storr, Dorothea Rockburne, Philip Glass, Arne Glimcher, Kiki Smith, Elizabeth Murray, Alex Katz, Kirk Varnedoe, among others) who make important contributions to appreciating Close&apos;s gifts.
        
    </content>
</entry>

<entry>
    <title>Joan Mitchell: Portrait of an Abstract Painter</title>
    <link rel="alternate" type="text/html" href="http://www.arthousefilmsonline.com/2008/01/joan-mitchell-portrait-of-an-a.html" />
    <id>tag:www.arthousefilmsonline.com,2009://1.111</id>

    <published>2008-01-17T21:09:10Z</published>
    <updated>2010-01-01T21:02:10Z</updated>

    <summary>A powerful and intimate portrait, JOAN MITCHELL: PORTRAIT OF AN ABSTRACT PAINTER captures Mitchell&apos;s independent spirit and testifies eloquently to Mitchell&apos;s art. Joan Mitchell was born in Chicago in 1926 and died in Paris in 1992. After graduating from the...</summary>
    <author>
        <name>Stacy</name>
        
    </author>
    
        <category term="Arthouse Films" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="abstractart" label="abstract art" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="expressionism" label="expressionism" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="femaleartist" label="female artist" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="joanmitchell" label="Joan Mitchell" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.arthousefilmsonline.com/">
        A powerful and intimate portrait, JOAN MITCHELL: PORTRAIT OF AN ABSTRACT PAINTER captures Mitchell&apos;s independent spirit and testifies eloquently to Mitchell&apos;s art. Joan Mitchell was born in Chicago in 1926 and died in Paris in 1992. After graduating from the School of the Art Institute of Chicago, Joan settled in New York City in 1950. She was an active participant of New York&apos;s dynamic Abstract Expressionist scene and hung out with fellow painters Franz Kline, Willem de Kooning and Philip Guston and, soon, poets Frank O&apos;Hara, James Schuyler and John Ashbery. In the mid-fifties, she moved to Paris, France. There she was part of a circle of friends that included Pierre Matisse, Samuel Beckett and Alberto Giacometti. Mitchell is one of the great abstract painters of the 20th century. This elegantly edited documentary weaves interviews with the acerbic Mitchell and other leading painters and critics while letting her stunning pictures dominate the film. Stephen Holden of the New York Times says, &quot;The canvases have grand chaotic romanticism. While celebrating the physical universe with an ecstatic love of color, they don&apos;t shy away from expressing a harsh, feral apprehension of nature and its violence.&quot;
        
    </content>
</entry>

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