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        <title>Arthouse Films</title>
        <link>http://www.arthousefilmsonline.com/</link>
        <description></description>
        <language>en-US</language>
        <copyright>Copyright 2010</copyright>
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            <title>Waste Land</title>
            <description><![CDATA[Filmed over nearly three years, WASTE LAND follows renowned artist Vik Muniz as he journeys from his home base in Brooklyn to his native Brazil and the world's largest garbage dump, Jardim Gramacho, located on the outskirts of Rio de Janeiro. There he photographs an eclectic band of "catadores" -- or self-designated pickers of recyclable materials.  Muniz's initial objective was to "paint" the catadores with garbage.  However, his collaboration with these inspiring characters as they recreate photographic images of themselves out of garbage reveals both the dignity and despair of the catadores as they begin to re-imagine their lives.  Walker (DEVIL'S PLAYGROUND, BLINDSIGHT) has great access to the entire process and, in the end, offers stirring evidence of the transformative power of art and the alchemy of the human spirit.<br /><br />WINNER Audience Award for Best World Cinema Documentary, Sundance Film Festival 2010<div><br />WINNER Audience Award for Best Film, Panorama, Berlin Film Festival 2010</div><div><br />WINNER Audience Award, Full Frame Documentary Film Festival 2010<br /></div><div><br /></div><div>WINNER Target Documentary Filmmaker Award, Dallas Film Festival 2010</div><div><br /></div><div>WINNER Golden Space Needle Award, Seattle International Film Festival 2010</div><div><br /></div><div>WINNER Audience Award, Provincetown Film Festival 2010</div><div><div><br /></div><div>WINNER, Amnesty International Film Award, Berlin Film Festival 2010</div><div><br /></div><div>WINNER, Audience Award, Maui Film Festival 2010</div><div><br /></div><div>WINNER, Audience Award, Paulinia Film Festival 2010</div><div><br /></div><div>WINNER, Best Documentary, Durban Int'l Film Festival 2010</div><div><br /></div><div>WINNER, Audience Award, Durban Int'l Film Festival 2010</div><div><br /></div><div>WINNER, Amnesty International Durban Human Rights Award, Durban Int'l Film Festival 2010</div></div><div><font class="Apple-style-span" color="#000000" face="Arial, Helvetica, clean, HiraKakuPro-W3, Osaka, sans-serif" size="4"><span class="Apple-style-span" style="font-size: 14px; white-space: pre-wrap; "><br /></span></font></div>]]></description>
            <link>http://www.arthousefilmsonline.com/2010/04/waste-land.html</link>
            <guid>http://www.arthousefilmsonline.com/2010/04/waste-land.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">Arthouse Films</category>
            
            
            <pubDate>Thu, 01 Apr 2010 16:27:39 -0500</pubDate>
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        <item>
            <title>Jean-Michel Basquiat: The Radiant Child</title>
            <description><![CDATA[<!--StartFragment-->

<p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;"><span style="font-family: Arial;">In his short career, Jean-Michel
Basquiat was a phenomenon. He became notorious for his graffiti art under the
moniker Samo in the late 1970s on the Lower East Side scene, sold his first
painting to Deborah Harry for $200, and became best friends with Andy Warhol.
Appreciated by both the art cognoscenti and the public, Basquiat was launched
into international stardom. However, soon his cult status began to override the
art that had made him famous in the first place.<o:p></o:p></span></p>

<p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;"><span style="font-family: Arial;"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;"><span style="font-family: Arial;">Director
Tamra Davis pays homage to her friend in this definitive documentary but also
delves into Basquiat as an iconoclast. His dense, bebop-influenced
neoexpressionist work emerged while minimalist, conceptual art was the fad; as
a successful black artist, he was constantly confronted by racism and
misconceptions. Much can be gleaned from insider interviews and archival
footage, but it is Basquiat's own words and work that powerfully convey the
mystique and allure of both the artist and the man.<o:p></o:p></span></p>

<p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;"><span style="font-family: Arial;"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;"><span style="font-family: Arial;">Featuring
interviews with Julian Schnabel, </span><span style="font-family: Arial; color: black;">Larry Gagosian, Bruno Bischofberger,
Tony Shafrazi, Fab 5 Freddy, Jeffrey Deitch, Glenn O'Brien, Maripol, Kai Eric,
Nicholas Taylor, Fred Hoffmann, Michael Holman, Diego Cortez, Annina Nosei, Suzanne
Mallouk, Rene Ricard, among many others.<o:p></o:p></span></p>

<!--EndFragment-->]]></description>
            <link>http://www.arthousefilmsonline.com/2009/12/a-conversation-with-jeanmichel.html</link>
            <guid>http://www.arthousefilmsonline.com/2009/12/a-conversation-with-jeanmichel.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">Arthouse Films</category>
            
            
            <pubDate>Mon, 21 Dec 2009 00:00:02 -0500</pubDate>
        </item>
        
        <item>
            <title>Herb &amp; Dorothy</title>
            <description><![CDATA[HERB &amp; DOROTHY tells the extraordinary story of Herbert Vogel, a postal clerk, and Dorothy Vogel, a librarian, who managed to build one of the most important contemporary art collections in history with very modest means. In the early 1960s, when very little attention was paid to Minimalist and Conceptual Art, Herb and Dorothy Vogel quietly began purchasing the works of unknown artists. Devoting all of Herb's salary to purchase art they liked, and living on Dorothy's paycheck alone, they continued collecting artworks guided by two rules: the piece had to be affordable, and it had to be small enough to fit in their one-bedroom Manhattan apartment. Within these limitations, they proved themselves curatorial visionaries; most of those they supported and befriended went on to become world-renowned artists. Their circle includes: Sol LeWitt, Christo and Jeanne-Claude, Richard Tuttle, Chuck Close, Robert Mangold, Sylvia Plimack Mangold, Lynda Benglis, Pat Steir, Robert Barry, Lucio Pozzi, and Lawrence Weiner. HERB &amp; DOROTHY is directed by Megumi Sasaki.<div><br /></div><div>Museum Show "Buyers Choice Awards" 2010 - Best of Books &amp; Multimedia<br /><div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Arial, Helvetica, clean, HiraKakuPro-W3, Osaka, sans-serif; font-size: 14px; white-space: pre-wrap; "><br /></span></div><div>"10 Films You Should Have Seen in 2009" -- The Daily Beast</div><div><br /></div><div>WINNER "Audience Award" 2008 Hamptons Film Festival<br /><br />WINNER&nbsp; "Golden Starfish Award" 2008 Hamptons Film Festival<br /><br />WINNER "Audience Award" 2008 SilverDocs Film Festival <br /><br />WINNER "Audience Award" Philadelphia Cinefest 2009<br /><br /><br /></div></div></div>]]></description>
            <link>http://www.arthousefilmsonline.com/2009/07/herb-dorothy.html</link>
            <guid>http://www.arthousefilmsonline.com/2009/07/herb-dorothy.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">Arthouse Films</category>
            
            
                <category domain="http://www.sixapart.com/ns/types#tag">Christo</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Chuck Close</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Dorothy Vogel</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Herb Vogel</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Herbert Vogel</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Jeanne-Claude</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Lawrence Weiner</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Lucio Pozzi</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Lynda Benglis</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Megumi Sasaki</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Pat Steir</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Richard Tuttle</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Robert Barry</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Robert Mangold</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Sol LeWitt</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Sylvia Mangold</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Vogel 50/50</category>
            
            <pubDate>Thu, 23 Jul 2009 15:46:04 -0500</pubDate>
        </item>
        
        <item>
            <title>Visual Acoustics</title>
            <description><![CDATA[<!--StartFragment-->

<p class="MsoNormal" style="text-align:justify"><font class="Apple-style-span" color="#000000" size="3"><span class="Apple-style-span" style="font-size: 11px;">
<!--StartFragment--><font size="2"><font><span style="font-size:10pt"><font class="Apple-style-span" style="font-size: 0.8em; ">Narrated by Dustin Hoffman, VISUAL ACOUSTICS celebrates the life and career of Julius Shulman, the world's greatest architectural photographer, whose images brought modern architecture to the American mainstream. Shulman, who passed away this year, captured the work of nearly every major modern and progressive architect since the 1930s including Frank Lloyd Wright, Richard Neutra, John Lautner, and Frank Gehry.</font></span></font><span style="font-size:10pt"><font><font class="Apple-style-span" style="font-size: 0.8em; "> </font></font><font><font class="Apple-style-span" style="font-size: 0.8em; ">His images epitomized the singular beauty of Southern California's modernist movement and brought its iconic structures to the attention of the general public. This unique film is both a testament to the evolution of modern architecture and a joyful portrait of the magnetic, whip-smart gentleman who chronicled it with his unforgettable images.&nbsp;</font></font></span></font>
<!--EndFragment-->

</span></font></p>

<!--EndFragment-->]]></description>
            <link>http://www.arthousefilmsonline.com/2009/07/visual-acoustics.html</link>
            <guid>http://www.arthousefilmsonline.com/2009/07/visual-acoustics.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">Arthouse Films</category>
            
            
                <category domain="http://www.sixapart.com/ns/types#tag">architecture</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Benedikt Taschen</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Dante Spinotti</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Ed Ruscha</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Frank Gehry</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Julius Shulman</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Kelly Lynch</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Los Angeles</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Mitch Glazer</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">modernism</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Tom Ford</category>
            
            <pubDate>Wed, 22 Jul 2009 15:17:33 -0500</pubDate>
        </item>
        
        <item>
            <title>William Kunstler:</title>
            <description><![CDATA[<!--StartFragment-->

<p class="MsoNormal"><span style="font-size: 10pt; "><font class="Apple-style-span" style="font-size: 0.8em; ">In WILLIAM KUNSTLER: DISTURBING THE
UNIVERSE, filmmakers Emily Kunstler and Sarah Kunstler explore the life of
their father, the late radical civil rights lawyer. In the 1960s and 70s,
William Kunstler fought for civil rights with Martin Luther King Jr. and
represented the famed "Chicago 8" activists who protested the Vietnam War. When
the inmates took over Attica prison, or when the American Indian Movement stood
up to the federal government at Wounded Knee, they asked Kunstler to be their
lawyer. <br /><br /><!--StartFragment-->

</font></span></p><font class="Apple-style-span" style="font-size: 0.8em; "><p class="MsoNormal"><span style="font-size: 11pt; "><font class="Apple-style-span" style="font-size: 0.8em; "><font class="Apple-style-span" style="font-size: 0.8em; "><font class="Apple-style-span" style="font-size: 1.25em; ">To his daughters, it seemed that he was at the center of
everything important that had ever happened. But when they were growing up,
Kunstler represented some of the most reviled members of society, including
rapists and assassins. This powerful film not only recounts the historic causes
that Kunstler fought for; it also reveals a man that even his own daughters did
not always understand, a man who risked public outrage and the safety of his
family so that justice could serve all.</font></font></font></span><b style="mso-bidi-font-weight:
normal"><span style="font-size:11.0pt;mso-bidi-font-size:10.0pt;font-family:
Arial;mso-fareast-font-family:&quot;Times New Roman&quot;"><o:p></o:p></span></b></p>

<!--EndFragment-->


</font><o:p></o:p><p></p>

<!--EndFragment-->]]></description>
            <link>http://www.arthousefilmsonline.com/2009/07/william-kunstler-disturbing-th.html</link>
            <guid>http://www.arthousefilmsonline.com/2009/07/william-kunstler-disturbing-th.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">Arthouse Films</category>
            
            
                <category domain="http://www.sixapart.com/ns/types#tag">ACLU</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">civil rights</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">emily kunstler</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">law</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">len weinglass</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">sarah kunstler</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">william kunstler</category>
            
            <pubDate>Tue, 21 Jul 2009 20:31:53 -0500</pubDate>
        </item>
        
        <item>
            <title>Beautiful Losers</title>
            <description><![CDATA[<p style="margin: 0px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 12px; line-height: normal; font-size-adjust: none; font-stretch: normal;"><a href="http://www.beautifullosers.com/">BEAUTIFUL LOSERS</a> celebrates the spirit behind one of the most influential cultural moments of a generation. In the early 1990s a loose-knit group of like-minded outsiders found common ground at a little NYC storefront gallery. Rooted in the DIY (do-it-yourself) subcultures of skateboarding, surf, punk, hip hop &amp; graffiti, they made art that reflected the lifestyles they led. Developing their craft with almost no influence from the "establishment" art world, this group and the subcultures they sprang from have now become a movement that has been transforming pop culture.</p><p style="margin: 0px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 12px; line-height: normal; font-size-adjust: none; font-stretch: normal;"><br /></p><p style="margin: 0px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 12px; line-height: normal; font-size-adjust: none; font-stretch: normal;">Starring a selection of artists who are considered leaders within this culture, Beautiful Losers focuses on the telling of personal stories. It speaks to themes of what happens when the outside becomes "in" as it explores the creative ethos connecting these artists and today's youth.</p> ]]></description>
            <link>http://www.arthousefilmsonline.com/2009/06/beautiful-losers.html</link>
            <guid>http://www.arthousefilmsonline.com/2009/06/beautiful-losers.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">Arthouse Films</category>
            
            
                <category domain="http://www.sixapart.com/ns/types#tag">Beautiful Losers</category>
            
            <pubDate>Mon, 22 Jun 2009 18:04:53 -0500</pubDate>
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        <item>
            <title>Milton Glaser: </title>
            <description><![CDATA[<p style="margin: 0px 0px 16px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10px; line-height: normal; font-size-adjust: none; font-stretch: normal;"><font style="font-size: 1.25em;">For many, <a href="http://miltonglaser.com/">Milton Glaser</a> is the personification of American graphic design.&nbsp; Best known for co-founding <a href="http://nymag.com/">New York Magazine</a> and the enduring I ♥ NY campaign, the full breadth of Glaser's remarkable artistic output is revealed in this documentary portrait, MILTON GLASER: TO INFORM AND DELIGHT.&nbsp; From newspapers and magazine designs, to interior spaces, logos, and brand identities, to his celebrated prints, drawings, posters and paintings, the documentary offers audiences a much richer appreciation for one of the great modern renaissance men.</font></p><p style="margin: 0px 0px 16px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10px; line-height: normal; font-size-adjust: none; font-stretch: normal;"><font style="font-size: 1.25em;">Artfully directed by first time filmmaker Wendy Keys, the film glances into everyday moments of Glaser's personal life and capture his immense warmth, humanity and the boundless depth of his intelligence and creativity.</font></p><div><font style="font-size: 1.25em;"><span class="Apple-style-span" style="font-size: 10px;"><br /></span></font></div> ]]></description>
            <link>http://www.arthousefilmsonline.com/2009/03/milton-glaser-to-inform-deligh.html</link>
            <guid>http://www.arthousefilmsonline.com/2009/03/milton-glaser-to-inform-deligh.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">Arthouse Films</category>
            
            
                <category domain="http://www.sixapart.com/ns/types#tag">Milton Glaser</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Wendy Keys</category>
            
            <pubDate>Sun, 22 Mar 2009 17:34:20 -0500</pubDate>
        </item>
        
        <item>
            <title>Rem Koolhaas:</title>
            <description><![CDATA[<p style="margin: 0px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 13px; line-height: normal; font-size-adjust: none; font-stretch: normal;">Rarely has an architect caused as much sensation outside of the architecture community as Rem Koolhaas.&nbsp; His outstanding creations such as the Dutch Embassy in Berlin, the Seattle Library, the Casa da Musica concert hall in Porto, and the Guggenheim Heritage Museum in Las Vegas are working examples of the Dutchman's visionary theories about architecture and urban society.</p>
<p style="margin: 0px; font-family: Tahoma; font-style: normal; font-variant: normal; font-weight: normal; font-size: 13px; line-height: normal; font-size-adjust: none; font-stretch: normal; color: rgb(129, 129, 129); min-height: 16px;"><br /></p>
<p style="margin: 0px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 13px; line-height: normal; font-size-adjust: none; font-stretch: normal;">Koolhaas' work is as much about ideas as it is about constructing buildings; he is equally celebrated as a writer and social commentator, his 1978 publication <i>Delirious New York: A Retroactive Manifesto for Manhattan</i> is heralded as seminal text on modern society.&nbsp; For Koolhaas what is essential is not to create individual masterpieces, but to provoke and excite through the wide range of his activities.</p>
<p style="margin: 0px; font-family: Tahoma; font-style: normal; font-variant: normal; font-weight: normal; font-size: 13px; line-height: normal; font-size-adjust: none; font-stretch: normal; color: rgb(129, 129, 129); min-height: 16px;"><br /></p>
<p style="margin: 0px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 13px; line-height: normal; font-size-adjust: none; font-stretch: normal;">REM KOOLHAAS - A KIND OF ARCHITECT is an engaging portrait of a visionary man, which takes us to the heart of his ideas.&nbsp; The filmmakers have made a visually inventive thought provoking portrait of the architect, prompting Rem Koolhaas to state "<i>it's the only film about me that I have liked</i>."</p> ]]></description>
            <link>http://www.arthousefilmsonline.com/2009/03/rem-koolhaas-a-kind-of-archite.html</link>
            <guid>http://www.arthousefilmsonline.com/2009/03/rem-koolhaas-a-kind-of-archite.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">Arthouse Films</category>
            
            
                <category domain="http://www.sixapart.com/ns/types#tag">Architect</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Architecture</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Rem Koolhaas</category>
            
            <pubDate>Wed, 18 Mar 2009 17:03:04 -0500</pubDate>
        </item>
        
        <item>
            <title>Louise Bourgeois:</title>
            <description>Louise Bourgeois: The Spider, The Mistress and The Tangerine is a film journey inside the life and imagination of an icon of modern art. As a screen presence, Louise Bourgeois is magnetic, mercurial and emotionally raw. She is &quot;the real McCoy,&quot; as Jerry Gorovoy, her assistant of 30 years, puts it. There is no separation between her life as an artist and the memories and emotions that affect her every day. As an artist she has for six decades been at the forefront of successive new developments, but always on her own powerfully inventive and disquieting terms. At the age of 71, in 1982, she became the first woman to be honored with a major retrospective at New York&apos;s Museum of Modern Art. In the decades since, she has created her most powerful and persuasive work. As director/producer Amei Wallach notes: &quot;We filmed intense, and sometimes hilarious, encounters with Louise and her work in both her Brooklyn studio and Manhattan home starting in 1993.  We videotaped conversations where she trusted us with the childhood sources of her pain and invited us into the ritualistic process by which her memories become embodied in objects and installations. We filmed her friends and her work here and abroad through the autumn of 2007.&quot; This film is a drama of creativity and revelation. It is an intimate, human engagement with an artist&apos;s world. It builds to a searing climactic scene, then rebounds in joy and reconciliation. </description>
            <link>http://www.arthousefilmsonline.com/2009/03/louise-bourgeois.html</link>
            <guid>http://www.arthousefilmsonline.com/2009/03/louise-bourgeois.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">Arthouse Films</category>
            
            
                <category domain="http://www.sixapart.com/ns/types#tag">Art</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Louise Bourgeois</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Museum of Modern Art</category>
            
            <pubDate>Tue, 17 Mar 2009 17:45:51 -0500</pubDate>
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        <item>
            <title>Picasso And Braque Go To The Movies</title>
            <description><![CDATA[<!--StartFragment-->

<p class="MsoNormal" style="text-align: left;"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 15px;"><font class="Apple-style-span" style="font-size: 0.8em; "><font class="Apple-style-span" style="font-size: 0.8em; ">Produced by Martin Scorsese and Robert Greenhut and directed by Arne Glimcher, PICASSO AND BRAQUE GO TO THE MOVIES is a cinematic tour through the effects of the technological revolution, specifically the invention of aviation, the creation of cinema and their interdependent influence on artists Pablo Picasso and Georges Braque. &nbsp;With narration by Scorsese, and interviews with art scholars and artists including Chuck Close, Julian Schnabel and Eric Fischl, the film looks at the collision between film and art at the turn of the 20th Century and helps us to realize cinema's continuing influence on the art of our time</font></font><font class="Apple-style-span" style="font-size: 0.8em; ">. &nbsp; &nbsp;&nbsp;</font></span></font></p> ]]></description>
            <link>http://www.arthousefilmsonline.com/2009/02/picasso-braque.html</link>
            <guid>http://www.arthousefilmsonline.com/2009/02/picasso-braque.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">Arthouse Films</category>
            
            
                <category domain="http://www.sixapart.com/ns/types#tag">Arne Glimcher</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Braque</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Cubism</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Film</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Martin Scorsese</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Picasso</category>
            
            <pubDate>Mon, 23 Feb 2009 16:52:19 -0500</pubDate>
        </item>
        
        <item>
            <title>Painters Painting</title>
            <description><![CDATA[<!--StartFragment-->

<p class="MsoNormal"><span style="font-family: Arial;">Originally released in 1973 but never before
available on DVD, PAINTERS PAINTING is the definitive documentary on the New
York School of painters, from 1940-1970. Director Emile de Antonio <i style="">(</i></span><i style=""><span style="font-family: Arial;">Point of Order </span></i><span style="font-family: Arial;">and<i style=""> Millhouse</i></span><span style="font-family: Arial;">) interviews artists in their studios
about their art</span><span style="font-family: Arial;">
from the period of Abstract Expressionism, through Hard Edge and Color Field
painting to Pop Art</span><span style="font-family: Arial;">. </span><span style="font-family: Arial;">Among the featured painters are Robert
Rauschenberg, William de Kooning, Jasper Johns, Andy Warhol, Helen
Frankenthaler, Frank Stella, Barnett Newman, Hans Hoffman, Jules Olitski,
Philip Pavia, Larry Poons, Robert Motherwell, and Kenneth Noland. <o:p></o:p></span></p>

<p class="MsoNormal"><span style="font-family: Arial;">PAINTERS PAINTING is newly digitally remastered
and restored by the Museum of Modern Art (New York) and the University of
Wisconsin Film Department.<o:p></o:p></span></p>

<!--EndFragment-->


 ]]></description>
            <link>http://www.arthousefilmsonline.com/2009/01/painters-painting-new-york-sch.html</link>
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                <category domain="http://www.sixapart.com/ns/types#category">Arthouse Films</category>
            
            
                <category domain="http://www.sixapart.com/ns/types#tag">and Kenneth Noland</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Andy Warhol</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Art</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Barnett Newman</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Frank Stella</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Hans Hoffman</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Helen Frankenthaler</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Jasper Johns</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Jules Olitski</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Larry Poons</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Painting</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Philip Pavia</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Robert Motherwell</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Robert Rauschenberg</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">William de Kooning</category>
            
            <pubDate>Sun, 18 Jan 2009 21:45:24 -0500</pubDate>
        </item>
        
        <item>
            <title>The Cats of Mirikitani</title>
            <description><![CDATA[Eighty-year old Jimmy Mirikitani survived the trauma of WWII internment camps, Hiroshima, and homelessness by creating art. But when 9/11 threatens his life on the New York City streets and a local filmmaker brings him to her home, the two embark on a journey to confront Jimmy's painful past. An intimate exploration of the lingering wounds of war and the healing powers of friendship and art, this documentary won the Audience Award at its premiere in the 2006 Tribeca Film Festival.<br /><br />Produced by lucid dreaming inc. in association with The Independent Television Service (ITVS) and The Center for Asian American Media (CAAM) with funding provided by The Corporation for Public Broadcasting. Additional funding provided by The Japan Foundation, The New York State Council on the Arts, and private donors.<br /><br />"THE CATS OF MIRIKITANI is, quite simply, breathtaking -- one of the most surprising and unshakable documentaries I can recall." -- New York Sun<br /> ]]></description>
            <link>http://www.arthousefilmsonline.com/2009/01/the-cats-of-mirikitani.html</link>
            <guid>http://www.arthousefilmsonline.com/2009/01/the-cats-of-mirikitani.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">Arthouse Films</category>
            
            
                <category domain="http://www.sixapart.com/ns/types#tag">Cats Mirikitani</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Linda Hattendorf</category>
            
            <pubDate>Fri, 16 Jan 2009 00:00:05 -0500</pubDate>
        </item>
        
        <item>
            <title>The Universe of Keith Haring</title>
            <description><![CDATA[THE UNIVERSE OF KEITH HARING by director Christina Clausen is an intimate portrait of world-renowned artist Keith Haring whose mantra was that "Art is for everyone!" The film is a thorough and intimate exploration of the background and career of one of the most popular and significant artists of the 20th century. The film features interviews and archival footage of Fab 5 Freddy, Jeffrey Deitch, Kim Hastreiter, Grace Jones, Madonna, Yoko Ono, David LaChapelle, Kenny Scharf, Carlo McCormick, Andy Warhol, Ann Magnuson, Tony Shafrazi, and Junior Vasquez, among many others. Audio excerpts from original interviews with Keith Haring, were conducted by Haring's biographer John Gruen (Keith Haring: the Authorized Biography). The film's theme song is by the famed DJ and record producer, Junior Vasquez, with an original soundtrack by Angelo Talocci. The film was edited by Silvia Giulietti.<br /><br />An Overcom (Italy), French Connection Films (France), Absolute Films (Associate Producer / Italy), and the Estate of Keith Haring Co-Production. Italy/France. Gianni Mercurio served as Consultant.<br /><br />Photos and Images courtesy of The Estate of Keith Haring.<br /><br />]]></description>
            <link>http://www.arthousefilmsonline.com/2008/11/the-universe-of-keith-haring-2.html</link>
            <guid>http://www.arthousefilmsonline.com/2008/11/the-universe-of-keith-haring-2.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">Arthouse Films</category>
            
            
                <category domain="http://www.sixapart.com/ns/types#tag">Art</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Graffiti</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Keith Haring</category>
            
            <pubDate>Fri, 21 Nov 2008 01:11:56 -0500</pubDate>
        </item>
        
        <item>
            <title>Chuck Close</title>
            <description>CHUCK CLOSE, an astounding portrait of one of the world&apos;s leading contemporary painters, was one of two parting gifts (her second is a film on Louise Bourgeois) from Marion Cajori, a filmmaker who died recently, and before her time. With editing completed by filmmaker Ken Kobland, CHUCK CLOSE limns the life and work of a man who has reinvented portraiture. Close photographs his subjects, blows up the image to gigantic proportions, divides it into a detailed grid and then uses a complex set of colors and patterning to reconstruct each face. The genius of this film is not only to allow the artist to illuminate his methodology (he is wonderfully articulate), but also to feature his friends and colleagues (Brice Marden, Robert Storr, Dorothea Rockburne, Philip Glass, Arne Glimcher, Kiki Smith, Elizabeth Murray, Alex Katz, Kirk Varnedoe, among others) who make important contributions to appreciating Close&apos;s gifts.</description>
            <link>http://www.arthousefilmsonline.com/2008/11/chuck-close-2.html</link>
            <guid>http://www.arthousefilmsonline.com/2008/11/chuck-close-2.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">Arthouse Films</category>
            
            
                <category domain="http://www.sixapart.com/ns/types#tag">Chuck Close</category>
            
            <pubDate>Wed, 19 Nov 2008 15:39:28 -0500</pubDate>
        </item>
        
        <item>
            <title>Joan Mitchell: Portrait of an Abstract Painter</title>
            <description>A powerful and intimate portrait, JOAN MITCHELL: PORTRAIT OF AN ABSTRACT PAINTER captures Mitchell&apos;s independent spirit and testifies eloquently to Mitchell&apos;s art. Joan Mitchell was born in Chicago in 1926 and died in Paris in 1992. After graduating from the School of the Art Institute of Chicago, Joan settled in New York City in 1950. She was an active participant of New York&apos;s dynamic Abstract Expressionist scene and hung out with fellow painters Franz Kline, Willem de Kooning and Philip Guston and, soon, poets Frank O&apos;Hara, James Schuyler and John Ashbery. In the mid-fifties, she moved to Paris, France. There she was part of a circle of friends that included Pierre Matisse, Samuel Beckett and Alberto Giacometti. Mitchell is one of the great abstract painters of the 20th century. This elegantly edited documentary weaves interviews with the acerbic Mitchell and other leading painters and critics while letting her stunning pictures dominate the film. Stephen Holden of the New York Times says, &quot;The canvases have grand chaotic romanticism. While celebrating the physical universe with an ecstatic love of color, they don&apos;t shy away from expressing a harsh, feral apprehension of nature and its violence.&quot;</description>
            <link>http://www.arthousefilmsonline.com/2008/01/joan-mitchell-portrait-of-an-a.html</link>
            <guid>http://www.arthousefilmsonline.com/2008/01/joan-mitchell-portrait-of-an-a.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">Arthouse Films</category>
            
            
                <category domain="http://www.sixapart.com/ns/types#tag">abstract art</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">expressionism</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">female artist</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Joan Mitchell</category>
            
            <pubDate>Thu, 17 Jan 2008 16:09:10 -0500</pubDate>
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